Once again, I'm guilty of reading rather than blogging. The consequence is that there's a small tower of books on the stand next to the computer.
So, here's four quick summaries to reduce the tower to a more manageable size.
69. The Alchemist by Paolo Bacigalupi
Bacigalupi is Gaiman-like in his ability to master a variety of genres frrom pure science fiction to YA lit to unadulterated fantasy.
The Alchemist, an award-winning novella from Subterranean Press, is Bacigalupi's stab at fantasy. It's a compelling tale of a world in which each use of magic, however benign, spawns the growth of a thorny, poisonous, malevolent bramble.
The alchemist of the title uses magic to calm the persistent cough that threatens his daughter's health. He feels guilty about using magic, but justifies it by his search for a solution to eradicate the bramble.
I have only one complaint about The Alchemist -- it's a paired novella. The story of the alchemist, who is on the run when this book ends, is completed in a novella by Tobias Buckell. So many books, so little time.
70. Bradbury An Illustrated Life by Jerry Weist
It wouldn't work for just anyone, but Ray Bradbury is the perfect choice for an illustrated biography. This table-top sized book, assembled by Jerry Weist, makes no attempt to be a comprehensive story of Bradbury's life.
What it does do is capture a broad swatch of his creative life. The book is fat with reproductions of early fanzines in which Bradbury got his start, stills from television shows and movies, artist's illustrations of his stories that appeared in countless magazines, covers of pulps featuring his writing, pages of story adaptations from EC Comics and the covers of his books, including foreign editions.
It's a visual feast, and a fitting celebration of Bradbury's creative life.
71. The Lone Ranger and Tonto Fistfight in Heaven by Sherman Alexie
Humor and pain are the elements that war for dominance in Sherman Alexie's superb stories of Indian life in and around the Spokane Indian Reservation.
Alexie's stories are filled with vivid characters who confront heartbreak and loss, the devastating (and inevitable) effects of alcohol and the decades-old degradation that penetrates the soul of a conquered people with a sly humor and stoic acceptance.
Alexie, who tweaks our funny bone and our conscience, ranks among America's most gifted writers.
72. The Good Man Jesus and the Scoundrel Christ by Philip Pullman
This 2010 novel by Philip Pullman is a mean-spirited re-creation of the Gospel.
Mary gives birth to twins. One she names Jesus. The other, we are told, is given a common name, but Mary always calls him Christ, which is Greek for Messiah.
Inspired by his cousin, John, Jesus becomes an itinerant preacher who attracts a small following even as he begins to generate controversy among the religious rulers. Christ, who is regularly visited by a mysterious stranger, chronicles the events of Jesus's life and his sayings.
Eventually, Jesus is crucified. It is Christ who appears to Mary three days after the crucifixion, to several of the disciples on the road to Emmaus. Christ eventually leaves the area, marries and -- encouraged by the stranger -- sets to work on his account of Jesus's life.
" . . . as Christ sat . . . he couldn't help thinking of the story of Jesus, and how he could improve it. For example, there could be some miraculous sign to welcome the birth: a star, an angel. And the childhood of Jesus might be studded with charming little wonder-tales of boyish mischief leavened by magic, which could nevertheless be interpreted as signs of greater miracles to come."
It's an altogether cynical excursion into fantasy that rather than re-telling the life of Jesus, seeks to re-invent it, and the establishment of the Catholic Church, as a great hoax.
Showing posts with label Sherman Alexie. Show all posts
Showing posts with label Sherman Alexie. Show all posts
Sunday, July 03, 2011
Wednesday, April 06, 2011
Winter in the Blood a spare and lyrical novel of Indian life
Book 36: Winter in the Blood by James Welch
Bookseller Ken Lopez describes James Welch as "one of the most important and accomplished Native American writers of the post-1968 generation."
"Welch was considered, along with Leslie Silko, one of the key writers of the first generation of the renaissance in Native American literature," said Lopez.
In the introduction to the Penguin Classic edition of Welch's first book, Winter in the Blood, author Louise Erdrich describes the book as "a central and inspiring text to a generation of western regional and Native American writers, including me."
The novel, Erdrich writes is "a quiet American masterpiece."
A masterpiece, perhaps, but a neglected one. Few people today are talking or writing about the work of Welch, who died in 2003. And that is unfortunate for Welch, of Blackfoot-Gros Ventre heritage, is both an important writer, and a gifted one.
Winter in the Blood is a spare and lyrical novel narrated by an unnamed 32-year-old Blackfeet Indian living on the Fort Belknap Reservation in Montana. It is a story of alienation and the search for personal meaning and identity, which draws its poetry and power from Welch's powers of close observation and gift for the telling detail.
Readers familiar with the works of popular contemporary Indian authors such as Erdrich or Sherman Alexie would do well to explore Welch's writing. His work was valuable to this current generation of Indian writers both because it provided assurances that their stories of modern Indian life were worth telling and because he set the bar so high.
A reader doesn't necessarily need to know of Welch's importance in the Indian literary canon. He should know that Welch's is a skillful writer and masterful storyteller and that his novels, Winter in the Blood among them, make for a rewarding read.
The completion of Winter in the Blood advances me in a reading challenge that I have taken up in 2011.
The challenge was issued by The Roof Beam Reader. The 2011 TBR (To Be Read) Pile Challenge is to read 12 books from your to-be-read pile in 12 months. I have read four of my 12 since undertaking the challenge. This is where I stand:
1. Lonesome Dove by Larry McMurtry
2. Gone With the Wind by Margaret Mitchell
3. War and Peace by Mr. Tolstoy
4. Harry Potter and the Sorcerer's Stone by J.K. Rowling
5. The Darkness That Comes Before by R. Scott Bakker
6. Under the Dome by Stephen King
7. White Noise by Don Delillo
8. Yogi Berra Eternal Yankee by Allen Barra
9. The Welsh Girl by Peter Ho Davies
10. Winter in the Blood by James Welch
11. Human Croquet by Kate Atkinson
12. Emotionally Weird by Kate Atkinson
Alternates:
Reservation Road by John Burnham Schwartz
Tales of Burning Love by Louise Erdrich
Bookseller Ken Lopez describes James Welch as "one of the most important and accomplished Native American writers of the post-1968 generation."
"Welch was considered, along with Leslie Silko, one of the key writers of the first generation of the renaissance in Native American literature," said Lopez.
In the introduction to the Penguin Classic edition of Welch's first book, Winter in the Blood, author Louise Erdrich describes the book as "a central and inspiring text to a generation of western regional and Native American writers, including me."
The novel, Erdrich writes is "a quiet American masterpiece."
A masterpiece, perhaps, but a neglected one. Few people today are talking or writing about the work of Welch, who died in 2003. And that is unfortunate for Welch, of Blackfoot-Gros Ventre heritage, is both an important writer, and a gifted one.
Winter in the Blood is a spare and lyrical novel narrated by an unnamed 32-year-old Blackfeet Indian living on the Fort Belknap Reservation in Montana. It is a story of alienation and the search for personal meaning and identity, which draws its poetry and power from Welch's powers of close observation and gift for the telling detail.
Readers familiar with the works of popular contemporary Indian authors such as Erdrich or Sherman Alexie would do well to explore Welch's writing. His work was valuable to this current generation of Indian writers both because it provided assurances that their stories of modern Indian life were worth telling and because he set the bar so high.
A reader doesn't necessarily need to know of Welch's importance in the Indian literary canon. He should know that Welch's is a skillful writer and masterful storyteller and that his novels, Winter in the Blood among them, make for a rewarding read.
+ + +
The completion of Winter in the Blood advances me in a reading challenge that I have taken up in 2011.
The challenge was issued by The Roof Beam Reader. The 2011 TBR (To Be Read) Pile Challenge is to read 12 books from your to-be-read pile in 12 months. I have read four of my 12 since undertaking the challenge. This is where I stand:
2. Gone With the Wind by Margaret Mitchell
3. War and Peace by Mr. Tolstoy
4. Harry Potter and the Sorcerer's Stone by J.K. Rowling
6. Under the Dome by Stephen King
7. White Noise by Don Delillo
8. Yogi Berra Eternal Yankee by Allen Barra
9. The Welsh Girl by Peter Ho Davies
12. Emotionally Weird by Kate Atkinson
Alternates:
Reservation Road by John Burnham Schwartz
Tales of Burning Love by Louise Erdrich
Subscribe to:
Posts (Atom)





