Book 41: Ghostman
by Roger Hobbs
Ghostman is a promising debut thriller from Roger
Hobbs.
When a casino heist
in Atlantic City goes awry, the crime boss who ordered the robbery calls Jack
Delton. Jack, who is something of a criminal's criminal, is told find the
missing money and that favor you owe me goes away.
The favor arises
from a botched heist years earlier in Kuala Lumpur, Malaysia. Jack made a
mistake and while he escaped, most of the crew didn't. What's worse, the money
was left behind.
Now he can square
his debts if he can tiptoe a fine and deadly line between two warring crime
bosses and the FBI.
Ghostman, a name that Jack awarded himself because of
skill at disappearing, is rich with detail. There is, for example, an
impressive passage on federal payload, how the Federal Reserve transport
millions in cash. The money is scanned, vacuum packed and bundled into a 60-ton
pallet of fresh $100 bills.
That's a tempting
payload for any crook.
The catch, according
to Jack, is that "the federal payload is essentially an ink bomb placed in
all the money that comes out of Washington. Every couple of hundred bills ,
there's a very thin, almost undetectable, explosive device."
And the device has
three parts: a packet of indelible ink, a battery that doubles as an explosive
charge and a GPS locator that acts as a trigger. The pallet of money is kept on
an electromagnetic plate. Remove the money from the plate and the batteries
embedded in the money start to drain.
"If the
batteries run out, the cash blows up. If the cellophane gets cut open
prematurely, the cash blows up. If the GPS locator hooks up with the wrong
satellite," Jack explains, "the cash blows up."
And if the cash
blows up before Jack recovers it, he can't square his debts.
Whether that
explanation of the federal payload is accurate or merely the product of Roger
Hobbs' fertile imagination, it sets up an intriguing story line that pits Jack
against two sets of bad guys, the law, and the clock.
The entire book is
rich with such explanations of criminal operations.
Perhaps Hobbs, who
looks like a teenager in the author's photograph on the jacket of the book, has
a great imagination. Perhaps, in his brief life, he's had a past career as a
master criminal.
Whatever the case, Ghostman is
a first-class debut.
If Hobbs
doesn't vanish as easily as Jack Delton -- and I think the success of
this first novel guarantees he won't -- I'm ready to add Hobbs' future
books to my must-be-read-immediately pile.
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